Tag: review

Raven 2 First Impressions – A Beautiful Game That Plays Itself
Global Launch: October 22, 2025

When I first heard about Raven 2, I was hyped. Netmarble has always been one of those studios that knows how to make games look incredible. I still revisit Marvel Future Fight from time to time because it remains one of the best-looking mobile titles ever made. Even Marvel Future Revolution, despite being shut down, was a visual masterpiece — and honestly, it still stings that they closed its servers for good.

But enough nostalgia — let’s talk about Raven 2, which officially launched globally today, October 22, 2025. After spending a few hours with it, here are my first impressions — the good, the bad, and everything in between.

First Impressions – Dark, Cinematic, and Distinctly Atmospheric

From the opening cinematic alone, Raven 2 makes a strong first impression. The visuals are gorgeous — dark, moody, and atmospheric, with that unmistakable Diablo-style tone that pulls you right in. It’s cinematic, dramatic, and absolutely dripping with polish, which is very much in line with Netmarble’s DNA.

Then came my first surprise: the voiceovers are entirely in Korean.
Now, I don’t mind games using their native languages — in fact, it often makes them feel more authentic. But for a global launch, I did expect an English voice option, similar to what Wuthering Waves or Black Beacon offered.

Being an anime fan, I’d even settle for Japanese voiceovers — they’re familiar and easier for global audiences to connect with. Korean, on the other hand, is something I mostly hear in K-dramas like Goblin or My Sassy Girl. Still, once I got used to it, I have to admit: the voice acting, music, and sound design blend beautifully. It feels like watching a high-budget fantasy drama — only you’re part of the story this time.

Character Creation – Stylish and Customizable

The character creation screen instantly impressed me. Raven 2 offers several classes: Assassin, Berserker, Elementalist, Vanguard, and others — each with unique aesthetics and playstyles.

Since I usually play tank roles, I went with the Vanguard class, creating a female character for my first run. I’ll be honest, I was tempted to pick one of the female-exclusive class looks — because wow, the designs here are stunning. Thankfully, every class allows both male and female options, so you can customize however you want without losing visual appeal.

Gameplay – When “Auto” Takes Control

Here’s where things got interesting.
I went into Raven 2 expecting something closer to Darkness Rises — a high-action, combo-driven hack-and-slash RPG with manual controls and dynamic combat. Instead, what I found was an idle MMORPG dressed in premium visuals.

The game lets you switch between three camera perspectives — top-down, isometric, and over-the-shoulder — and the moment I saw the horizontal skill bar beneath the attack button, I knew what kind of experience this would be.

Combat can be manual, sure, but the auto-battle and auto-cast features quickly take over. You can literally sit back while your character chains skills, fights enemies, and completes quests on their own.

The quest tracker, found on the top-right corner, handles most navigation for you. Tap a quest, and your character automatically walks to the right NPC, triggers dialogue, hunts enemies, and even turns in objectives. A single tap afterward claims your rewards and pushes you straight to the next task.

For some, that’s a dream setup. It’s convenient, smooth, and perfect for mobile gaming — especially if you’re multitasking or just want to progress casually. But for players like me who crave hands-on action, it can feel like the game’s doing all the heavy lifting.

Raven 2 executes its systems well, but it often feels like watching a really good-looking game play itself.

Global Launch Rewards – Netmarble’s Welcome Package

To celebrate the global launch, Netmarble rolled out some enticing bonuses and pre-registration rewards to kickstart your journey.

Official Pre-Registration Rewards
- Heroic-grade Holy Garment – basically a character skin given automatically to all pre-registered players at launch. I tried it out for a bit, but honestly, I ditched it quickly. Everyone I ran into was wearing the same outfit, and it completely killed the sense of individuality for me. I actually prefer my default look — I intentionally made my character resemble Clare from the anime and manga Claymore, because… well, I’m a huge fan.
- Special Pre-Registration Package – a bonus bundle sent through in-game mail (contents not officially detailed and may vary by region).
Global Launch Events

In addition to the pre-reg rewards, several time-limited events are live now:
- Daily Login Rewards – includes gold, enhancement materials, and consumables.
- Level Milestone Rewards – designed to help new players gear up faster.
- Global Celebration Bonuses – mount tickets, costumes, and premium currency for early progression.
These incentives definitely make the early game smoother and give players plenty of reasons to log in daily.

Verdict – An Eastern Take on a Western Celtic-Inspired World

At the end of the day, Raven 2 is a visual powerhouse — and if you doubt that, just notice your phone overheating while it’s running. It’s that demanding. The game drains battery fast, and even on lower visual settings, it still looks absolutely stunning.

If you love graphically impressive games with a dark, bloody fantasy atmosphere, this one’s a dream come true. It’s a perfect blend — an Eastern developer’s take on a Western, Celtic-inspired world. The tone is grim and mystical, the armor and landscapes evoke pagan energy, and the soundtrack feels like it was pulled straight from a medieval battlefield. It’s that unique fusion of styles that gives Raven 2 its distinct identity.

That said, all that style comes with a trade-off. The auto-play heavy design still holds it back from being truly engaging. I’ve never been a fan of games that rely on an “Auto” button to do most of the work. It’s convenient and great for grinding, but it takes away the thrill of mastering combat and controlling every move yourself.

If Netmarble had followed the Dragon Nest approach — tight, skill-based combat with real control — Raven 2 could’ve easily outshined most mobile titles this year.

For now, I’m setting it aside. Not because it’s bad — far from it — but because it’s built for a different audience. It’s made for players who love beautiful, cinematic MMOs and don’t mind trading depth for spectacle.

If that sounds like you, Raven 2 will absolutely deliver.
But if you’re the kind of gamer who values interaction over automation, you might find it all flash and little substance.
22nd Oct 2025
Otogirisō (1992): The Flower That Haunts — Revisiting Chunsoft’s Sound Novel That Defined Retro Horror
I first stumbled upon Otogirisō while browsing through old Super Famicom titles a few weeks ago. At first, I thought it was just another forgotten horror visual novel — until I learned it was actually one of the original sound novels, the very foundation for everything that came after from Chunsoft. With an English translation patch available, I decided to load it up on my Miyoo Mini, and it instantly became one of my favorite finds this October.

It’s perfect for the Halloween season, a game that doesn’t rely on visuals or gore but on atmosphere, sound, and storytelling. The kind of horror that creeps in slowly, like a whisper instead of a scream. And playing it with earphones on, in the dark, made it feel like I was sitting right there inside that mansion as the storm raged outside.

On the drive, the conversation turns to the roadside flowers, and the protagonist explains what they are. He tells Nami about the Otogirisō — St. John’s Wort — and the old legend that goes with it. The tale is simple and brutal: two brothers once lived together, betrayal ripped them apart, one killed the other, and from the ground where the blood spilled the Otogirisō bloomed. That moment, me telling Nami the story as the rain fell, hooked me immediately. It sets the tone, and the subtle sounds in the background — tires on wet asphalt, distant thunder, soft static — made the whole scene sink into my bones.

I named the protagonist Bob for my playthrough, after my favorite wrestler, Bob Backlund. Call him what you want, the game lets you, and that little choice made the nightmare feel oddly personal.

Inside the Mansion

Otogirisou snes cover

From the moment Bob and Nami enter, you’re greeted by creaking wood, thunder rolling above, and faint music that seems to breathe with the house itself. You start to explore, and immediately you can sense the unease — the mansion feels alive.

Unlike modern horror games that rely on visuals, Otogirisō lets the sound design do the heavy lifting. Every pause between lines feels intentional, like the mansion itself is waiting for you to make the wrong move.

Ps1 cover for Otogirisou

The story then splits into multiple routes based on your decisions — and this is where Otogirisō truly shines. Each route isn’t just a different ending; it’s a different truth about what’s happening in the mansion. The game contains many endings across multiple routes, and replaying is how you slowly assemble the full picture.

Route 1: The Curse of the Twins

This is the route that hit me the hardest — not because it’s the scariest, but because it’s the most tragic.

If you comfort Nami, stay close, and focus on exploring personal rooms like bedrooms and the study, you begin to pull at threads of the family’s history. Dusty diaries and portraits reveal twin sisters, an uneven love, and a household that fell apart from jealousy. Nami’s memories come back in flashes, she recognizes corners of the house, and gradually it becomes clear that this once was her family home.

The final scenes are devastating: Nami confronting the twin she was never allowed to be, a sense of completion that’s more a claim than a cure. The Otogirisō flower imagery returns, blooming in scenes of rain and memory. The sound drops to a single soft note as the screen fades. It’s sorrow more than terror, and it lingers because it’s about loss, not spectacle.

What stands out: the emotional weight and how grief is foregrounded over cheap shocks. The slow pacing lets the player absorb the inevitability, which made it one of the most affecting endings I’ve experienced in a retro horror title.

Route 2: The Fire

If you act boldly — exploring suspicious rooms, probing basements, and pressing on despite warnings — you unlock the Burned route.

This path centers on a night the mansion went up in flames. As Bob finds charred letters and witness fragments, a picture forms of betrayal that boils over into arson. The house’s blackened halls echo with the memory of fire, and the sound design leans into crackles and whispers that suggest the blaze never truly died.

The twist is how premeditated the violence turns out to be. It wasn’t a random catastrophe but an act of calculated revenge from the heart of the family. Nami’s sanity fractures as she relives those screams, and the ending can leave you trapped watching the fire consume everything while you’re helpless.

What stands out: the suffocating inevitability and the way the game uses environmental details to imply history. Flames are suggested rather than shown, and that suggestion becomes dread. The Burned route feels like punishment for curiosity, both for the characters and the player.

Route 3: The Well

This one is the most unexpected and disturbing.

If you explore the grounds early and investigate the well, the tone shifts from gothic family drama to something more monstrous. You find notes that read like lab journals, sketches of malformed creatures, and entries hinting at ritual experiments. The story implies that someone in the household tried to bridge life and death with grotesque methods.

When the well is opened, the game leans into sound and pacing — wet, heavy noises, a rising heartbeat in the music track, text flashing faster — and the horror becomes physical. You don’t see the creature clearly; you hear it. The ending is abrupt and cosmic, with Nami dragged into something ancient beneath the house and the final line: “The Otogirisō blooms again.”

What stands out: how the game can pivot to cosmic horror within the same narrative framework, and how sound alone conjures an image far worse than literal spritework could manage. It’s one of the weirdest and most effective surprises I’ve seen in retro horror.

What makes it stand out

Otogirisō doesn’t rely on jump scares. Its horror is built from suggestion, from the space between lines. The storm, the piano that mimics a heartbeat, the way Nami’s voice trembles over static, these elements build a tension that’s more intimate than loud.

What makes the experience eerie and enjoyable:
- Personal stakes: because you name the protagonist and make choices about how to treat Nami, the horror feels intimate.
- Sound-first design: the noises and silence create a private theater in your head — you imagine the worst, and the game confirms it.
- Route-based truths: each route reveals a different facet of the mansion’s curse, so every playthrough reframes what you thought you knew.
Final Thoughts

Otogirisō isn’t a game you play for jump scares. It’s a game you experience for atmosphere — the unease, the sorrow, and the weight of what’s left unsaid. Playing it on the Miyoo Mini with headphones made the story feel intimate and immediate, like a ghost story folded into a pocket-sized book.

The legend I told Nami on the road — of two brothers and the flower that grew from betrayal — isn’t just a setup. It’s the beating heart of the game. After seeing the routes, every ending felt like another stanza of that same lament. The image of the Otogirisō blooming from pain will stay with me, long after the rain has stopped in the game and in real life.

If you want something to play this Halloween that doesn’t just frighten but haunts, give Otogirisō a night. Name your protagonist, maybe call him Bob, and let the mansion whisper its stories into your headphones.

Because here, horror doesn’t scream, it whispers — and sometimes that’s far more terrifying.
10th Oct 2025
The EZRetro plays Handbook: 10 Games to Get You Hooked on the RG28XX

It’s been barely two weeks since I got my RG28XX, and I’ve been completely glued to it. Like a kid with a new toy, I’ve been switching between games non-stop, quickly learning what plays well and what doesn’t. As a JRPG/RPG fan, I naturally gravitate toward that genre. But let’s be real about the PSP emulation: it’s a bit of a hit-and-miss.

The Allwinner H700 chipset is powerful for a budget device, but most PSP games are a bit laggy, and some are downright unplayable due to the missing analog stick. Plus, the screen’s resolution isn’t a perfect 16:9 match for the original PSP, so you have to scale and fit it to fill the screen, which is a no-no for purists.

But for someone not too picky about screen size and is more focused on playing something on a small retro handheld, it’s perfect.

Even with the quirks, limiting recommendations to just RPGs doesn’t do this little handheld justice. It’s given me the chance to play other games, and after two weeks of non-stop play, here’s my top 10 games to try.

Prinny 2: Dawn of Operation Panties, Dood!

psp box art

I’ll be honest—I’ve never been great at platformers on PSP using my phone. The tiny screen, touch overlays, and lack of a proper controller made even basic levels frustrating. But on the RG28XX, everything changed. While the screen is a bit cramped and the buttons are small, I finally beat the first level and a saw Etna inside the castle. It felt like a real win.

Gameplay-wise, Prinny 2 is a classic side-scrolling platformer, but Nippon Ichi Software adds its signature style. The animations are smooth, and the game’s humor is just absurd enough to keep you laughing even while dying repeatedly. You’ll really end up caring about the side characters and NPCs, dood!

Fun Fact: Nippon Ichi’s dialogue is so ridiculous and over-the-top that even minor characters steal the spotlight. I’m not usually a fan of side-scrolling platformers, but Prinny 2 had me invested in the story and the laughs, and that’s what matters most.

Kisou Ryuhei Gunhound

Kisou Ryuhei Gunhound is a side-scrolling mecha shooter that had me glued from start to finish. You pilot your giant robot through futuristic stages filled with enemies and obstacles. The controls on the RG28XX are precise enough that even intense shooting sequences feel smooth.

The story follows a world under siege, and while it’s not particularly deep, the excitement comes from blasting through waves of enemies and upgrading your mecha. For someone who enjoys mecha and action, this is a perfect handheld experience.

Fun Fact: Despite its small screen, the RG28XX handles the visuals perfectly, making every boss fight feel as epic as it would on a console.

ZHP: Unlosing Ranger vs. Darkdeath Evilman

Unlosing Ranger psp box art

ZHP is one of the quirkiest tactical RPGs I’ve ever played. You lead a colorful, bizarre team through strategic missions filled with absurd story beats and hilarious dialogues. On the RG28XX, it feels surprisingly comfortable, even during long grind sessions.

The game’s humor is its standout feature, but don’t mistake it for a joke game—the strategy is real. Positioning your characters and timing your attacks can mean the difference between victory and defeat.

Fun Fact: Some levels are so absurdly funny that you’ll spend more time laughing than strategizing, which is part of the charm. It’s a tactical RPG that doesn’t take itself too seriously.

Ys vs. Sora no Kiseki

This one is a little different from the others on my list. Ys vs. Sora no Kiseki is a fighting game that’s a total love letter to fans of both the Trails and Ys series. You get to play through each character’s unique story arc, and you can upgrade their equipment and customize them, which really makes you want to keep playing long after the main story is over. That ability to customize is what gives it some serious replay value.

Fun Fact: A worldwide release is scheduled for October 10, 2025, on PS4, PS5, Switch, and PC with enhanced features, according to the publisher refint/games.

TwinBee Portable

TwinBee Portable is a vertical shooter with an aesthetic that’s so colorful it’s almost hypnotic. Controlling the ship is straightforward, making it easy to pick up on the RG28XX. The power-ups add a layer of strategy to the simple shooting mechanics, turning it into a deeper experience than it first appears. Since it’s a Japanese-only release, I’m just assuming the story is light and charming, but seriously, who needs a story when what hooked me to this game is the retro vibe and pure nostalgia? It’s the kind of game that’s easy to jump into for a quick session or a longer run.

Fun Fact: TwinBee’s charm comes from its cheerful music and playful visuals—Konami really nailed that arcade vibe.

Mega Man Powered Up

megaman powered up psp cover

Mega Man Powered Up is classic Mega Man with upgraded graphics and remade levels. It’s challenging but fair, and controlling the blue bomber on the RG28XX felt surprisingly natural. The satisfaction of finally defeating a tough boss never gets old.

The story is minimal but fun, staying true to Mega Man’s roots as a robot hero battling evil. The level design is clever, and each stage has its own personality.

Fun Fact: You can create and share your own levels, making it a mini creative outlet on the go.

Yuusha 30 Seconds

Yuusha 30 Seconds is a fast-paced mini-RPG where battles and decisions happen in short, exciting bursts. Perfect for handheld play, it keeps you on edge while still being strategic. The story follows a hero who must make quick choices to save their world, making every second count.

The gameplay of Yuusha 30 Seconds is what truly makes it a standout. Back when it was released, the concept was totally unique, and it still feels incredibly fresh today. The core loop is simple: you have 30 seconds to save the world. This crazy-fast timer forces you to make quick, strategic decisions. Every second counts as you run to level up, buy equipment, and defeat the final boss. It’s a genius concept that turns the traditional RPG grind on its head and keeps every moment filled with high-stakes action.

Fun Fact: Another title, Half-Minute Hero, was also released for western audiences on PSP. Although that’s a great game, I would still recommend hunting down an English translation patch for Yuusha 30 Seconds because the Japanese release is more challenging and has more content.

Dissidia 012 Duodecim (RPG Mode)

This one is a bit different. I play Dissidia 012 Duodecim in RPG Mode. There’s an option in the settings to switch from the usual action style to a more tactical RPG-style battle where you input attacks as the battle takes place.

While I’ll be honest, I usually play this on PPSSPP on my phone since the touch controls and ability to set hotkeys make the game more fluid for me, the RG28XX still offers a great experience in RPG Mode. Even with the controls being a bit cramped and the absence of an analog stick, it’s a perfect fit for this little handheld.

Fun Fact: Each character has a fully voiced story, and the massive cast includes heroes and villains from almost every major title in the series.

Zenonia

Zenonia is a classic hack-and-slash RPG that’s perfect for handheld sessions. You explore dungeons, fight enemies, and uncover a story of revenge and justice. The controls feel great on the RG28XX, making combat smooth and satisfying.

The story is simple but effective, with multiple endings that encourage replayability. I love how easy it is to pick up and play without losing any of the RPG charm.

Fun Fact: Zenonia was so popular that it eventually found its way to mobile devices, becoming one of the early success stories for JRPGs on the app store.

Patapon 3

Patapon 3 perfectly blends rhythm and strategy. You command a tiny Patapon tribe in battles that are essentially musical performances. The gameplay is simple, but timing your beats correctly feels incredibly satisfying.

The story follows your tribe as they journey to conquer enemies and survive in a whimsical world. It’s easy to lose track of time because the rhythm-based gameplay is so addictive.

Fun Fact: The unique rhythm-strategy gameplay of Patapon 3 has a rich history. The first game introduced the unique concept of commanding a tribe with drumbeats. Patapon 2 built on that with the introduction of hero units, new classes, and a multiplayer mode. Patapon 3 then evolved the formula even further with a persistent online focus, a more detailed leveling system, and an even deeper focus on the central hero character.

Final Thoughts

This list proves that the RG28XX can handle far more than just RPGs. From humor and platforming to epic storytelling and rhythm, this little handheld really delivers, and I can’t wait to see what other hidden gems I discover next.

19th Sep 2025
Gunhound – My Go-To PSP Mecha Game for Short Bursts

When I need a quick break in between tasks, Gunhound on PSP is the game I usually go to. It’s fast, it’s exciting, and it scratches that itch for a mecha action experience without needing hours of commitment. It’s not available on smaller retro handhelds like the Miyoo Mini since those can’t run PSP games, but if you’ve got a Miyoo Mini Plus, Flip, or any other handheld that supports PSP, it plays beautifully.

I actually just picked up the Anbernic RG28XX recently. I was looking for the Miyoo A30 but couldn’t find one locally, so this became my alternative. Luckily, it runs PSP titles smoothly, and Gunhound feels right at home on it.

A Bit of History

Gunhound EX (full title: Kisou Ryouhei Gunhound EX) came out in Japan back in 2013 for the PSP. It was developed by a small Osaka-based team called Dracue Software, a doujin (indie) studio known for loving mecha games. Later on, the game got a Windows PC port in 2014 with the title Armored Hunter Gunhound EX.

The reception was decent, especially from fans of old-school mecha shooters like Assault Suit Valken (Cybernator) and Assault Suit Leynos. Famitsu gave the PSP version a 29 out of 40, and Western reviews of the PC port hovered around 7 to 8 out of 10. Reviewers praised the fast-paced action and anime-style presentation, though some said it felt like the ideas could’ve gone even further.

As for sales, there’s no reliable number out there — it was a niche release, after all, and never really broke into the mainstream. That’s also one of the reasons it isn’t famous: it was a Japan-only release on PSP, with no official English localization. But honestly, who needs a full translation when your main job is to pilot a mech and fire at anything that moves?

Dracue didn’t become a big studio after this either. Gunhound EX remains their standout game — more of a cult classic than a widely recognized PSP hit.

The Story

The game’s setup is straight out of a 90s mecha anime. You pilot a heavy combat machine through different missions, fighting waves of enemies, giant bosses, and military hardware that just keeps coming. The story isn’t super detailed, but it’s enough to push you forward between battles and cutscenes. The real fun is in the action, not reading walls of text.

Game Mechanics

The mix of mechanics makes Gunhound really stand out. You get machine guns, missiles, and one of the coolest parts — a grappling hook. It’s not just for climbing but also for swinging and repositioning during fights. That little touch changes how you approach stages, giving it a different flavor compared to standard run-and-gun games.

The game captures that heavy mech feeling while still staying responsive. You’re not zipping around like a ninja; you’re piloting a powerful machine that has weight to it, and learning that rhythm is half the fun.

Controls

The controls feel surprisingly smooth for a PSP mecha game. Swapping weapons, firing, and using the grappling hook all click into place once you’ve played a couple of missions. On handhelds with good buttons and a d-pad, like the RG28XX or Miyoo Mini Plus, the game plays almost like it was built for these smaller devices.

Why It Fits on a Small Retro Handheld

This is where Gunhound really shines for me. The missions are short enough to pick up and play in between tasks, and the anime-inspired visuals scale perfectly to smaller screens. The intensity is still there, but it feels tighter and more personal when played on a handheld. For a game that’s all about quick bursts of action, portable is the way to go.

Every time I load this up, it gives me that mix of anime mecha excitement and arcade-style quick action. It doesn’t need hours of play, and the grappling hook always makes the combat feel fresh. I’ll tell myself “just one mission,” and then end up playing two or three because it’s so hard to put down once you’re in the zone.

Final Thoughts

Gunhound EX may not be a mainstream PSP classic, but it’s one of those hidden gems that deserves more attention. Between its anime-inspired mecha action, simple pick-up-and-play missions, and perfect fit for retro handhelds, it’s a game I recommend to anyone looking for something different on PSP. The lack of an English release probably held it back, but if you enjoy action that doesn’t waste your time, you’ll feel right at home with Gunhound.

14th Sep 2025
The Goonies on NES – A Childhood Treasure
Growing up, one of the most-played games of my childhood was The Goonies on the NES. At the time, I had no idea it was connected to a movie. To me, it was just this mysterious little game with unforgettable music and fun gameplay. Even now, whenever I hear that chiptune intro theme, I’m instantly brought back to being seven or eight years old, sitting in my living room with my cousins, taking turns until we finally beat it.

Konami developed and released the game in 1986, based on the 1985 movie. The strange part is that while the game came out on the Famicom in Japan, it never got a normal NES release in North America. Instead, many players only ever discovered the sequel, The Goonies II. But for me, this first game was the one that left a mark.

Controls and Objectives

The beauty of The Goonies is how simple it is to pick up and play. You move Mikey with the D-pad, jump with A, and attack or place bombs with B. Each level has a clear goal:
- Collect three keys to unlock the exit.
- Rescue a captured Goonie hidden somewhere in the stage.
- Survive enemies like bats, skeletons, rats, and of course the Fratellis.
That’s it — no long cutscenes, no walls of text, just pure action.

This is also why it feels perfect on the Miyoo Mini’s 2.8-inch screen. The game doesn’t rely on lots of text, so there’s nothing tedious to read. The NES’s simple A and B button layout matches the Miyoo Mini perfectly, making the game feel like it was made for handheld play.

The Nostalgia Factor

When I was a kid, I used to think the rats in this game were actually the size of children. They looked so huge and scary to me on the TV screen. Looking back, the graphics are pretty basic, but the way the game combined its music, enemies, and level design made it feel larger than life.

The difficulty also felt enormous at that age. What seems like a simple loop today — jump, bomb, collect, rescue — was one of the hardest games I had ever played as a kid. But that’s part of what made it so special.

And of course, what I remember most isn’t just the game itself but the feeling around it: the old TV buzzing in the living room, my cousins sitting beside me, all of us determined to beat the game together. That memory is what makes The Goonies stand out among all the other NES platformers.

Final Thoughts

Although there are many NES platformers that are just as good, or even better, The Goonies will always be one of my personal favorites. Not because it’s the most polished, but because it carries so many of my childhood memories.

I haven’t played The Goonies II, but for me, this first game feels just right. And playing it today on my Miyoo Mini is enough to keep that nostalgic spark alive. The Goonies is just one of many great platformers on the NES — but for me, it’s one of the most unforgettable.
12th Sep 2025