Tag: retro games

  • These Ultraman Games Are So Bad They’re Legendary

    These Ultraman Games Are So Bad They’re Legendary

    If you grew up watching Ultraman, you probably dreamed of controlling those giant laser-beaming, monster-smacking battles. And on the PS2 and PSP, you got that dream… kind of. What we actually got were games so rough, so clunky, so awkwardly hilarious that they loop right back around into being must-plays.

    Let’s break it down.

    Ultraman Fighting Evolution (PS2)

    The promise? Kaiju wrestling in glorious 3D. The reality? Imagine two cosplayers in rubber suits trying to fight in slow motion while the cameraman spins in circles.

    • Controls: Feels like Ultraman is fighting underwater while wearing concrete boots.
    • Hit detection: Sometimes your punch connects across the arena. Sometimes it passes through like you’re a ghost. Flip a coin.
    • Animations: Every throw and fall looks like a bad stunt double missed the crash mat.

    But here’s why I love it: it’s authentic. Ultraman fights were never about fluid martial arts — they were about stiff moves, awkward grapples, and laser beams that may or may not hit. Fighting Evolution accidentally nailed that “rubber suit charm,” and I can’t stop grinning every time someone topples over like a cardboard prop.

    Ultraman Fighting Evolution 3 (PS2)

    This one? The “polished” sequel. Big story mode, more kaiju, better graphics. And yet, the soul of jank remains.

    The cutscenes try so hard to be epic, but half the time I’m just laughing at Ultraman giving serious speeches while looking like a plastic action figure. The story mode is wild — one second you’re reliving iconic battles, the next you’re thrown into a monster mash with zero explanation.

    Why I love it: this game is basically Ultraman fanfiction in video game form. It throws everything at you — drama, explosions, endless monster cameos — and I eat it up every single time. It’s the “Fast & Furious” of Ultraman games.

    Ultraman Fighting Evolution Rebirth (PS2)

    Now this one is the big one. Ultraman Fighting Evolution Rebirth (ウルトラマン Fighting Evolution Rebirth) takes everything the earlier games tried to do and pushes it further.

    • Story mode: Packed with dramatic cutscenes that almost convince you you’re watching a real Ultraman episode… until the stiff animations snap you back.
    • Gameplay: Still janky, still clumsy, still hilarious. But with more kaiju, more moves, and more finishers that look straight out of the TV show.
    • Fan service: This is the game where the developers clearly wanted to give fans as much Ultraman content as possible, and it shows.

    The only drawback? The colors are more subdued compared to earlier titles. It’s like the devs wanted to take things more seriously — darker tones, moodier palettes, less camp. But the moment you start a fight and deal with the bipolar AI or swing and miss at point-blank range, you’re reminded that at the end of the day, it’s still the same campy Ultraman game at heart, just with the brightness turned down.

    Why I love it: out of all the PS2 Ultraman titles, Rebirth captures that “so bad it’s good” balance the best. It’s bigger, more ambitious, and somehow even funnier when it stumbles. Plus, the finished animations are much more cinematic — well, as cinematic as an Ultraman game could be. If you only play one PS2 Ultraman game, make it this one.

    Ultraman 0 Portable (PSP)

    The jump to handheld should’ve made things snappier, right? Nope. It’s the same awkward goodness, just shrunk down.

    • The graphics try their best, but Ultraman looks like he’s made of shiny Play-Doh.
    • The AI is unpredictable — sometimes it lets you win by standing still, other times it wipes the floor with you in seconds.
    • The camera fights you harder than the kaiju.

    Why I love it: because nothing beats blasting a kaiju with a Specium Ray while sitting on a bus. It’s Ultraman in your pocket, and even when it’s broken, it’s still Ultraman. Plus, the ridiculous difficulty spikes make every victory feel like I actually saved the world.

    Lost in Translation: The Language Barrier Boss

    Here’s another curveball: none of these Ultraman games ever got an English release. Yup — goodbye instructions, goodbye tutorials, goodbye menus. The game just throws you in, full Japanese text, and says “Good luck, hero!”

    Your best bet to figure out what the heck is going on?

    • Stumble through the tutorial until Ultraman randomly decides he’s finished teaching you.
    • Use Google Lens like it’s your trusty sidekick.
    • Or go old-school and dig through GameFAQs guides. (There’s a full guide for Ultraman Fighting Evolution Rebirth out there — lifesaver!)

    That’s literally how I survived the tutorial stage — trial, error, and a lot of squinting. And honestly? It made the whole thing even funnier.

    Why They’re So Bad They’re Great

    They make me laugh harder than half the comedy games I own.

    They’re basically playable blooper reels of the TV show.

    They remind me why I love Ultraman in the first place: not because it’s flawless, but because it’s earnest, campy, and fun even when it stumbles.

    EZRetro’s Totally Biased Ranking

    Fighting Evolution Rebirth (PS2) – The ultimate janky masterpiece.

    Fighting Evolution 3 (PS2) – Peak drama, peak Ultraman energy.

    Fighting Evolution (PS2) – The OG mess, broken but charming.

    Ultraman Portable (PSP) – Bless its heart. It tried.

    Why i come back to it

    When I’m killing time at work, Ultraman Portable on my trusty RG28XX is my go-to. It’s discreet, perfect for blasting kaiju without anyone noticing, and it keeps me awake while waiting for my shift to end. For the bigger screen though, I skip the weaker PS2 entries and dive straight into Fighting Evolution Rebirth. It’s the one that makes me laugh, rage, and cheer all in the same sitting.

    Ultraman has starred in dozens of games across consoles — from platformers on SNES and Game Boy to RPGs, tactical sims, and even Pokémon-style kaiju battles. But in my opinion, nothing beats the fighting games. They’re clunky, campy, and packed with that rubber-suit wrestling energy that makes Ultraman so lovable. If you’re curious about the series, start with the fighters — they’re messy, hilarious, and the most fun you’ll have with Ultraman in game form.

  • How Front Mission: Gun Hazard Stands Apart in the SNES Library

    How Front Mission: Gun Hazard Stands Apart in the SNES Library

    Just two days ago, I stumbled onto a game I had never given much thought to before: Front Mission: Gun Hazard. If you know me, my usual go-to SNES game with mecha and heavy action has always been Mega Man X. For me, nothing really topped that mix of speed, precision, and music. Because of that, I never really dove into titles like Assault Suits Valken (Cybernator) or other similar recommendations.

    Front mission: Gun Hazard  box art

    So what changed? Honestly, it wasn’t a review or gameplay clip that convinced me. It was the fact that the fan translation patch was done by Aeon Genesis, the same team I always trust when I want to play Super Robot Wars in English. Seeing their name tied to Gun Hazard was enough for me to fire it up on my Miyoo Mini. That decision opened the door to one of the most unique experiences I’ve had on the system.

    Gun hazard game cartridge

    Another reason I gave this game a shot is because it was a Japan-only release. And if you’re into retro emulation, you know that’s usually a big sign the game is worth trying. Back in the 90s, Japanese developers often thought their games were too hard for Western audiences, so they’d create watered-down versions for overseas release. Honestly, most of those simplified versions stripped away what made the originals shine. That’s a real shame, because Japan was putting out some of the best and most ambitious games of that era—and Gun Hazard is proof of that.

    Gameplay and Mechanics

    Some sections in the game can be played on foot instead of a wanzer

    If you asked me what genre Front Mission: Gun Hazard belongs to, I’d have a hard time sticking to just one answer. On the surface, it looks like an action platformer or an action shooter. But then you add in the ability to level up, customize weapons, and upgrade parts, and suddenly it feels like an RPG.

    Story-wise, it leans even closer to being a JRPG, with its heavy themes of politics, betrayal, and emotional storytelling. Add in the world map where you can choose missions, side missions, and paths forward, and it starts to feel like an SRPG too.

    Wanzer combat

    What we really have here is a hybrid, and a surprisingly smooth one at that. It’s action, it’s RPG, it’s strategy—all blended together in a way I haven’t seen matched, even in more modern titles. The presentation seals the deal: the background music and sound design feel richer than most SNES releases, which makes me think this was definitely not a low-budget project.

    And yes, while it shares DNA with other mecha games of the era, Gun Hazard pushes the concept much further with its RPG systems and narrative depth.

    Story and atmosphere

    My bad, the sound plays if you leave the screen on and it gives you a backstory before you play. I was so hyped I avvidentwlly pressed start and did not see this.

    Booting up the game, I noticed something unusual right away—silence. I even cranked up the volume on my Miyoo Mini, thinking maybe the sound wasn’t working. The opening text explaining the backstory had no music. The character naming screen? Still silent. Then the first cutscene started, and even up to the ambush—the one where the rocket slams in and wipes out nearly everyone—there was no full soundtrack. Just the sound of seagulls and faint notes in the background. It created this eerie calm that made the eventual explosion hit so much harder.

    Can’t get over the fact that Albert, the series protagonist looks like Christopher Lambert from the Highlander movies

    From there, the story really takes off. You play as Albert Grabner, a wanzer pilot suddenly betrayed and hunted after a coup tears apart the very unit he trusted. Branded a traitor, Albert escapes and takes on work as a mercenary, traveling the globe and getting swept into conflicts much bigger than his own survival.

    What makes Gun Hazard stand out isn’t just the “good guy vs bad guy” setup—it’s how the story dives into politics, alliances, betrayals, and moral struggles. Each mission feels alive with dialogue and character moments that push the plot forward. You’re not just blowing up enemy bases; you’re caught in a web of shifting power, trying to figure out where you really stand.

    Without giving away spoilers, I’ll just say the game doesn’t stay small. It expands from one soldier’s desperate escape into a global conspiracy that keeps escalating until the very end.

    As for the finale? Let’s just say you know you’re playing a front mission game through and through. I won’t add more to this because it’s best you guys experience it first hand to fully enjoy it.

    Replay value and personal experience

    Boss fights can be quite challenging but fun

    I’m on my third playthrough now, and I still can’t put it down.

    • The first time, I rushed through to see where the story went.
    • The second time, I focused on tweaking weapons and experimenting with different loadouts.
    • Now, on my third run, I’m slowing down, enjoying the story beats, and really letting it all sink in.

    I even tried playing it on my phone, but honestly, the button layout is perfect on the Miyoo Mini. It feels like this game was meant for that handheld. That’s where I’ve decided to keep playing it.

    Tactical map screen where you choose the missions to take, shop for weapons and upgrade s or take on side missions

    What keeps me coming back isn’t just the gameplay, but the mix of story, customization, and music. Even after finishing it, I still want to try new setups, explore missions in different orders, and revisit the world again. That’s rare for a retro title, and it’s what makes Gun Hazard such a special find.

    Closing thoughts

    Front Mission: Gun Hazard is a game I wish I had discovered years ago, but I’m glad I finally did. It’s a hidden gem that blends action, RPG depth, and storytelling in a way that feels timeless. Each playthrough offers something new, whether it’s experimenting with gear, savoring the narrative, or just soaking in the atmosphere.

    If you own a retro handheld, even a tiny one like the Miyoo Mini, this game is absolutely worth your time. It runs beautifully and feels like it was made for handheld play.

    One piece of advice: play it with headphones. The soundtrack was created by Nobuo Uematsu (Final Fantasy), Yasunori Mitsuda (Chrono Trigger, Xenogears), Masashi Hamauzu (Final Fantasy XIII), and Junya Nakano (Final Fantasy X). That lineup alone is legendary, and the way the score blends suspense with emotional depth gives the game an atmosphere far beyond the average 16-bit title.

    If you’re looking for a new retro experience—something different in the SNES library that still feels fresh today—give Front Mission: Gun Hazard a try. Fire it up, put on some headphones, and let yourself be pulled into one of the most memorable rides the Super Famicom ever offered.

    And of course, huge thanks to Aeon Genesis. Without their fan translation, this gem might have stayed locked away in Japan forever.

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