EZRetro Plays

Category: retro handheld content

  • Sony PSP: Lightning in a Bottle, Lost to Time

    Sony PSP: Lightning in a Bottle, Lost to Time

    A Pocket Full of Memories

    I was scrolling through my phone the other night, hopping between retro handheld pages and game lists trying to find something new to play.
    But as I kept going, I noticed something. Most of the games that caught my attention, the ones that made me stop and think, all pointed to one thing: the Sony PSP.

    Released in Japan on December 12, 2004, North America on March 24, 2005, and Europe on September 1, 2005, the PSP stayed around until 2014, a solid 10-year run.
    In that time, it built up over 1,300 game titles, which is insane when you think about it.
    You could play something new every week and still not run out for years.

    A Console in Your Pocket

    SONY PSP 1000 model

    The PSP came out during the PS2’s prime years and somehow it kept pace.
    While the PS2 was out there delivering hits every month, the PSP was taking some of those worlds and putting them in your hands.

    You had games like Def Jam: Fight for New York, Fight Night Round 3, and even Tekken 6 running smooth on a handheld.
    And the exclusives? That’s where the PSP really showed off with Crisis Core: Final Fantasy VII, Final Fantasy Type-0, Dissidia 012 Duodecim, Patapon, and Half-Minute Hero.
    These weren’t watered-down versions, they were full experiences made for the PSP.

    Then there’s Monster Hunter, and honestly, that game changed everything.
    When Monster Hunter Freedom and Freedom Unite came out, the PSP turned into a real-life multiplayer hub.
    You’d see people hanging out in malls or cafés, PSPs in hand, connecting through ad-hoc to hunt rare monsters together.
    It wasn’t just about grinding or loot drops, it was community.
    That era was pure vibes, no Wi-Fi, no mic chat, just real people meeting up to play.

    monster hunter freedom unite guild hall

    “Everyone had a PSP in their bag.
    You’d walk by a table, hear the sound of a Great Sword swing, and know exactly what was going down.”

    Why I Still Love the PSP Today

    One of the coolest things about the PSP is how easy it is to play now.
    You don’t even need a fancy handheld or gaming phone because emulation runs smooth on almost anything.

    I still play Tekken 6 on my phone, and honestly, I like it better that way.
    Sliding my combos on the touchscreen just feels smoother than mashing buttons on the real PSP or a controller.
    Might sound weird, but it just works for me.

    That’s the charm of the PSP. It still fits in today’s world.
    It’s not too old for new players, but it still hits that retro nostalgia we all chase.

    The Hype That Fell Flat

    When Sony announced the PlayStation Portal, I got hyped.
    I really thought, “This might be it. The PSP comeback. Maybe even a Switch killer.”

    But when it finally came out on November 15, 2023, the excitement turned into disappointment.
    It wasn’t a new handheld. It was basically a remote screen for the PS5.
    You can’t even use it without owning one.

    And man, that hurt.
    The PSP stood on its own. You didn’t need anything else, just the console, a UMD, and maybe a memory stick if you were lucky.
    The Portal, on the other hand, felt like half a step forward.

    “The PSP gave you freedom.
    The Portal gave you a reminder that you still need your PS5.”

    Why That Magic’s Hard to Find Now

    The PSP hit different because developers back then were still experimenting.
    They were testing ideas, taking risks, and seeing how far they could push a handheld.
    Games felt like passion projects, not business plans.

    Now it’s mostly about monetization, DLCs, and keeping players spending.
    And that shift killed a lot of that creative fire.

    Even Sony’s follow-up, the PS Vita, proves that.
    On paper, it was the PSP’s smarter, faster sibling with dual analog sticks, touchscreen features, and those back-touch controls.
    And the games looked great, like they were really made for the Vita.
    Titles like Killzone Mercenary, Gravity Rush, and Soul Sacrifice were stunning for their time.

    But here’s where it dropped the ball, the price.
    Everything about the Vita was expensive.
    The handheld itself, the games, and especially that Sony-exclusive memory card you had to buy separately just to save anything.
    So imagine this: you buy the console, then you find out you need an overpriced memory card, then you realize there’s no free game included.
    That’s another trip to the store and another dent in your wallet.

    Sony PS Vita

    To be fair, the PSP wasn’t cheap either, but the difference is, the PSP got hacked early on.
    Once custom firmware came in, people turned it into a do-everything handheld.
    You could emulate older consoles, load your own games, and basically carry your entire library on a single memory stick.
    It became the retro handheld before retro handhelds were even a thing.

    And honestly, that spirit, the whole “make it your own” vibe, carried over to the Vita too.
    Once that system got cracked, it came alive again.
    People used it to play PSP and PS1 titles, homebrew, emulators, everything.

    In a way, that just proves the point.
    The handhelds that lived on weren’t the ones with the best specs, they were the ones people could make personal.
    That’s what the PSP had.
    Freedom. Flexibility. A sense of ownership.
    Something modern handhelds just don’t give anymore.

    Looking Back, Still Ahead of Its Time

    The PSP wasn’t just another console, it was a moment.
    It gave us console-level games in our hands, real-world multiplayer before online took over, and a library that still holds up today.

    It wasn’t perfect, but it felt real.
    You could tell it was built by people who wanted to push gaming forward, not just chase trends.

    The PSP will always have the top spot on my retro list.
    Not because it’s perfect, but because it reminded us what gaming felt like when everything was new and exciting.
    It was lightning in a bottle, and no one’s managed to catch it again.

  • Top 20 Sega Genesis Beat ’Em Ups You Can Play on the Miyoo Mini

    Top 20 Sega Genesis Beat ’Em Ups You Can Play on the Miyoo Mini

    I made this list originally for my Miyoo Mini, that pocket-sized retro handheld that’s perfect for quick gaming breaks. These Genesis titles are ideal for short bursts — just enough time to clear a few stages, save, and come back later. Of course, you can play them on PC or mobile too, but the Miyoo Mini makes them shine in bite-sized sessions.

    This is my countdown of the Top 20 Sega Genesis-exclusive (and Japan-only) beat ’em ups, ranked from 20 to 1. One game per franchise, all of them packed with that 16-bit energy Sega was known for.

    20. Shadow Blasters (1990)

    If you’ve never heard of Shadow Blasters, don’t worry you’re not alone. This Genesis-exclusive action brawler lets you switch between four warriors, each harnessing elemental powers to clean up a post-apocalyptic Earth. It’s rough around the edges, but the variety and frantic pace make it a hidden gem for Miyoo Mini short sessions.

    Fun fact: The game was published by Sage’s Creation, one of the first companies to localize smaller Japanese titles for the Genesis — giving us oddball cult classics like this one.

    19. Battle Mania: Daiginjou (1993, Japan)

    Technically a shooter, but its crazy boss fights and melee energy fit right in here. Bursting with attitude and chaotic energy — pure early ’90s Sega spirit.

    Fun fact: It was developed by a small all-female team at Vic Tokai, which was unusual for the time.

    18. Golden Axe III (1993, Japan)

    The last Genesis Golden Axe game, never officially released in the West. It adds new moves and smoother animation, even if it lacks the polish of II.


    Fun fact: It was originally meant for international release, but Sega of America rejected it for being “too similar” to its predecessors.

    17. Yu Yu Hakusho: Makyo Toitsusen (1994, Treasure)

    Four-player brawling madness with fluid animation and surprising depth. You don’t need to know the anime to have fun — just start swinging.


    Fun fact: This was one of the first console games to allow four players to fight at once, predating Smash Bros. by years.

    16. Ranger X (1993, Sega)

    A mecha brawler that mixes shooting and close combat. Its visuals are still impressive today, and the controls are shockingly fluid for a Genesis title.


    Fun fact: The developer, GAU Entertainment, created a custom tool to simulate lighting and shadows — years before the Genesis supported such effects.

    15. Alien Soldier (1995, Treasure)

    A boss rush masterpiece with lightning-fast combat and high difficulty. It’s short but intense, and perfect for quick bursts on the Miyoo Mini.


    Fun fact: Treasure intentionally limited physical production in Japan, making original copies one of the rarest Genesis releases.

    14. Sword of Vermilion (1990, Sega)

    A strange mix of RPG and beat ’em up where battles shift into side-view brawls. It’s rough, but charming — a reminder of when Sega loved to experiment.


    Fun fact: Yu Suzuki, the creator of Shenmue and OutRun, produced this game early in his career.

    13. Shadow Dancer: The Secret of Shinobi (1990, Sega)

    A slick ninja action game where your dog companion attacks enemies on command. It’s fast, satisfying, and plays beautifully in short sessions.


    Fun fact: The Genesis version is completely different from the arcade release — a rare case where the home port is its own game.

    12. Two Crude Dudes (1992, Sega)

    A loud, over-the-top brawler where musclebound heroes clean up a ruined city. You can lift cars and toss enemies around like ragdolls.


    Fun fact: The game’s U.S. title was changed from Crude Buster to Two Crude Dudes to make it sound more like an action comedy.

    11. ESWAT: City Under Siege (1990, Sega)

    Half shooter, half brawler — you’re a cyber cop taking down gangs with heavy armor and a jetpack. It feels like Robocop with a Sega twist.


    Fun fact: ESWAT began life as an arcade beat ’em up before Sega rebuilt it from scratch for Genesis as a more action-platformer hybrid.

    10. Splatterhouse 2 (1992, Namco/Sega)

    A gory, horror-themed brawler with simple mechanics and an unforgettable mood. It’s creepy, violent, and strangely satisfying.


    Fun fact: Sega toned down the gore slightly for the Western version, but fans later restored it through fan translations.

    9. Last Battle (1989, Sega)

    A launch title that wears its Fist of the North Star inspiration proudly — punch enemies and watch them literally explode. Primitive but iconic.


    Fun fact: The Western release censored the blood and removed Kenshiro references, turning it into a completely new story.

    8. The Hybrid Front (1994, Sega Japan)

    Part strategy, part brawler, and totally unique. It’s a strange mix that works best for players who like experimentation in their Genesis games.


    Fun fact: Sega’s internal dev team reused parts of its code years later for Shining Force II’s tactical systems.

    7. Mazin Saga: Mutant Fighter (1993, Sega)

    A hybrid of side-scrolling combat and giant robot duels. You fight as a human first, then transform into a mech for boss battles.


    Fun fact: The game is based on Go Nagai’s manga Mazin Saga, which was still running in Japan when this came out.

    6. Cyborg Justice (1993, Sega)

    You build your own robot fighter, rip off enemy parts, and graft them onto yourself. It’s chaotic but addictive.


    Fun fact: The devs wanted destructible environments, but Sega cut the feature to keep the frame rate stable.

    5. Golden Axe II (1991, Sega)

    Classic fantasy co-op done right. Ride beasts, cast magic, and swing axes through medieval mayhem — still one of Sega’s best.


    Fun fact: The team reused the same engine as the first Golden Axe but doubled the animation frames to make attacks smoother.

    4. Bare Knuckle III (1994, Sega Japan)

    The original, uncensored version of Streets of Rage 3. Faster and grittier than the Western release, with deeper combat and new mechanics.


    Fun fact: The English version removed one entire level and toned down character designs to avoid controversy overseas.

    3. Alien Storm (1991, Sega)

    A fast-paced alien-busting brawler with co-op and shooting stages that break up the action. It’s quirky, colorful, and pure Sega fun.


    Fun fact: Alien Storm was built on a modified Golden Axe engine — you can feel it in the combat flow.

    2. Comix Zone (1995, Sega)

    You’re a comic artist trapped in your own creation, literally punching your way through panels. Stylish, short, and endlessly creative.


    Fun fact: Sega’s dev team studied Marvel and DC comics to nail the page transitions — all drawn by hand before being digitized.

    1. Streets of Rage II (1992, Sega)

    The ultimate Genesis brawler and one of the best beat ’em ups ever made. Tight controls, iconic visuals, and Yuzo Koshiro’s unforgettable soundtrack.


    Fun fact: The composer reportedly used actual nightclub tracks as references, mixing early techno and house influences to get that signature sound.

    Why Battletoads Isn’t Here

    You might be wondering where Battletoads is. The Genesis version looks and plays great, but it’s not an original Sega title since it started on the NES. So while it’s not part of this countdown, it’s still worth playing on your Miyoo Mini if you’re ready for the infamous speeder bike level.

    Other Great Brawlers That Didn’t Make the Cut

    These didn’t make the list but are still fun to revisit:

    • Mighty Morphin Power Rangers – flashy and straightforward.
    • Captain America and the Avengers – chaotic superhero fun.
    • Batman Returns – dark, moody, and solid.
    • TMNT: The Hyperstone Heist – not exclusive, but essential.
    • Battletoads & Double Dragon – crossover madness, but again, not Genesis-exclusive.

    Final Thoughts

    The Sega Genesis library was full of attitude, and its beat ’em ups were the loudest of them all. Whether you’re revisiting these on a Miyoo Mini or firing them up on an emulator, they still deliver that same 16-bit punch that made Sega’s glory days unforgettable.

    Thanks for reading my vlogs and posts. Got a Genesis brawler I missed? Drop it in the comments — I’m always looking for the next hidden gem.

  • Otogirisō (1992): The Flower That Haunts — Revisiting Chunsoft’s Sound Novel That Defined Retro Horror

    Otogirisō (1992): The Flower That Haunts — Revisiting Chunsoft’s Sound Novel That Defined Retro Horror

    I first stumbled upon Otogirisō while browsing through old Super Famicom titles a few weeks ago. At first, I thought it was just another forgotten horror visual novel — until I learned it was actually one of the original sound novels, the very foundation for everything that came after from Chunsoft. With an English translation patch available, I decided to load it up on my Miyoo Mini, and it instantly became one of my favorite finds this October.

    It’s perfect for the Halloween season, a game that doesn’t rely on visuals or gore but on atmosphere, sound, and storytelling. The kind of horror that creeps in slowly, like a whisper instead of a scream. And playing it with earphones on, in the dark, made it feel like I was sitting right there inside that mansion as the storm raged outside.

    On the drive, the conversation turns to the roadside flowers, and the protagonist explains what they are. He tells Nami about the Otogirisō — St. John’s Wort — and the old legend that goes with it. The tale is simple and brutal: two brothers once lived together, betrayal ripped them apart, one killed the other, and from the ground where the blood spilled the Otogirisō bloomed. That moment, me telling Nami the story as the rain fell, hooked me immediately. It sets the tone, and the subtle sounds in the background — tires on wet asphalt, distant thunder, soft static — made the whole scene sink into my bones.

    I named the protagonist Bob for my playthrough, after my favorite wrestler, Bob Backlund. Call him what you want, the game lets you, and that little choice made the nightmare feel oddly personal.

    Inside the Mansion

    Otogirisou snes cover

    From the moment Bob and Nami enter, you’re greeted by creaking wood, thunder rolling above, and faint music that seems to breathe with the house itself. You start to explore, and immediately you can sense the unease — the mansion feels alive.

    Unlike modern horror games that rely on visuals, Otogirisō lets the sound design do the heavy lifting. Every pause between lines feels intentional, like the mansion itself is waiting for you to make the wrong move.

    Ps1 cover for Otogirisou

    The story then splits into multiple routes based on your decisions — and this is where Otogirisō truly shines. Each route isn’t just a different ending; it’s a different truth about what’s happening in the mansion. The game contains many endings across multiple routes, and replaying is how you slowly assemble the full picture.

    Route 1: The Curse of the Twins

    This is the route that hit me the hardest — not because it’s the scariest, but because it’s the most tragic.

    If you comfort Nami, stay close, and focus on exploring personal rooms like bedrooms and the study, you begin to pull at threads of the family’s history. Dusty diaries and portraits reveal twin sisters, an uneven love, and a household that fell apart from jealousy. Nami’s memories come back in flashes, she recognizes corners of the house, and gradually it becomes clear that this once was her family home.

    The final scenes are devastating: Nami confronting the twin she was never allowed to be, a sense of completion that’s more a claim than a cure. The Otogirisō flower imagery returns, blooming in scenes of rain and memory. The sound drops to a single soft note as the screen fades. It’s sorrow more than terror, and it lingers because it’s about loss, not spectacle.

    What stands out: the emotional weight and how grief is foregrounded over cheap shocks. The slow pacing lets the player absorb the inevitability, which made it one of the most affecting endings I’ve experienced in a retro horror title.

    Route 2: The Fire

    If you act boldly — exploring suspicious rooms, probing basements, and pressing on despite warnings — you unlock the Burned route.

    This path centers on a night the mansion went up in flames. As Bob finds charred letters and witness fragments, a picture forms of betrayal that boils over into arson. The house’s blackened halls echo with the memory of fire, and the sound design leans into crackles and whispers that suggest the blaze never truly died.

    The twist is how premeditated the violence turns out to be. It wasn’t a random catastrophe but an act of calculated revenge from the heart of the family. Nami’s sanity fractures as she relives those screams, and the ending can leave you trapped watching the fire consume everything while you’re helpless.

    What stands out: the suffocating inevitability and the way the game uses environmental details to imply history. Flames are suggested rather than shown, and that suggestion becomes dread. The Burned route feels like punishment for curiosity, both for the characters and the player.

    Route 3: The Well

    This one is the most unexpected and disturbing.

    If you explore the grounds early and investigate the well, the tone shifts from gothic family drama to something more monstrous. You find notes that read like lab journals, sketches of malformed creatures, and entries hinting at ritual experiments. The story implies that someone in the household tried to bridge life and death with grotesque methods.

    When the well is opened, the game leans into sound and pacing — wet, heavy noises, a rising heartbeat in the music track, text flashing faster — and the horror becomes physical. You don’t see the creature clearly; you hear it. The ending is abrupt and cosmic, with Nami dragged into something ancient beneath the house and the final line: “The Otogirisō blooms again.”

    What stands out: how the game can pivot to cosmic horror within the same narrative framework, and how sound alone conjures an image far worse than literal spritework could manage. It’s one of the weirdest and most effective surprises I’ve seen in retro horror.

    What makes it stand out

    Otogirisō doesn’t rely on jump scares. Its horror is built from suggestion, from the space between lines. The storm, the piano that mimics a heartbeat, the way Nami’s voice trembles over static, these elements build a tension that’s more intimate than loud.

    What makes the experience eerie and enjoyable:

    • Personal stakes: because you name the protagonist and make choices about how to treat Nami, the horror feels intimate.
    • Sound-first design: the noises and silence create a private theater in your head — you imagine the worst, and the game confirms it.
    • Route-based truths: each route reveals a different facet of the mansion’s curse, so every playthrough reframes what you thought you knew.

    Final Thoughts

    Otogirisō isn’t a game you play for jump scares. It’s a game you experience for atmosphere — the unease, the sorrow, and the weight of what’s left unsaid. Playing it on the Miyoo Mini with headphones made the story feel intimate and immediate, like a ghost story folded into a pocket-sized book.

    The legend I told Nami on the road — of two brothers and the flower that grew from betrayal — isn’t just a setup. It’s the beating heart of the game. After seeing the routes, every ending felt like another stanza of that same lament. The image of the Otogirisō blooming from pain will stay with me, long after the rain has stopped in the game and in real life.

    If you want something to play this Halloween that doesn’t just frighten but haunts, give Otogirisō a night. Name your protagonist, maybe call him Bob, and let the mansion whisper its stories into your headphones.

    Because here, horror doesn’t scream, it whispers — and sometimes that’s far more terrifying.

  • Top 5 Dragon Ball Games That Still Hold Up Today (Retro Edition)

    Top 5 Dragon Ball Games That Still Hold Up Today (Retro Edition)

    Even decades later, some Dragon Ball games just refuse to fade away. Whether you grew up button-mashing on a Sega Genesis or charging up Kamehamehas on your PSP, these classics remind us why Dragon Ball has been a staple in anime gaming.

    This list is by no means the definitive “best of all time” — how great a game feels will always be subjective. But for me, someone who still plays these titles on retro handhelds, these are the five that stand out the most. They’re what I personally consider my top five Dragon Ball games to revisit and enjoy even today.

    1. Dragon Ball Z: Buyuu Retsuden (Sega Genesis, 1994)

    Before 3D arena fighters and flashy transformations, Buyuu Retsuden gave Genesis owners a taste of pure 2D fighting action. It was fast, fun, and brought iconic battles to life in glorious 16-bit form — long before most of us even dreamed of full 3D Dragon Ball games.

    Why it holds up: Tight controls, nostalgic visuals, and that signature Genesis energy make this a must-play for retro fighting fans.

    Fun Fact: The game had secret moves and even “Super vs. Super” clashes where two characters could unleash ultimate attacks at the same time, creating a mini-game of energy waves. You could also block supers with precise timing — rare for its era and incredibly satisfying when pulled off.

    2. Dragon Ball Z: Buu’s Fury (Game Boy Advance, 2004)

    An action RPG that lets you relive the Buu Saga while leveling up, exploring areas, and smashing enemies in real time. For handheld players, Buu’s Fury was the ultimate way to feel like a Super Saiyan on the go.

    Why it holds up: Classic pixel art, rewarding combat, and a surprisingly emotional story for a GBA title.

    Fun Fact: Buu’s Fury is actually the third in the Legacy of Goku trilogy. It took everything that worked in Legacy of Goku I and II — tighter combat, smoother transformations, better story pacing — and perfected it. Out of all three, Buu’s Fury is easily the best and most polished GBA Dragon Ball adventure.

    3. Dragon Ball Z: Tenkaichi Tag Team (PSP, 2010)

    Portable, explosive, and still one of the most fun Dragon Ball games to this day. Tenkaichi Tag Team let you fight solo or team up for wild 2v2 battles, bringing console-level gameplay to a handheld screen.

    Why it holds up: Fast-paced combat, deep combos, and an iconic roster that’s still unmatched on PSP.

    Fun Fact: Think of this as a lighter, portable version of Budokai Tenkaichi on PS2 — but with tons of content, customizations, and a full story mode. There’s also another hidden gem on PSP called Dragon Ball Z: Shin Budokai, a 2.5D fighter — but between the two, Tenkaichi Tag Team stands taller thanks to its bigger roster, polish, and those chaotic 2v2 battles.

    4. Dragon Ball: Advanced Adventure (Game Boy Advance, 2004)

    This one’s a gem. Covering Goku’s original adventures — from meeting Bulma to the final battle with King Piccolo — Advanced Adventure mixes platforming, exploration, and fighting into one charming package.

    Why it holds up: It’s one of the few games that perfectly captures the humor, adventure, and heart of classic Dragon Ball. Plus, that 2D art style still looks fantastic today.

    Fun Fact: This game is pure nostalgia — an action-platformer that tells Goku’s early story as a kid. It blends adventure, one-on-one battles, and side-scrolling action so well that even after all these years, it still plays great and captures the true spirit of early Dragon Ball.

    5. Dragon Ball Fusions (Nintendo 3DS, 2016)

    While it’s newer than the others, Fusions carries that old-school Dragon Ball spirit — letting you fuse just about anyone with anyone. The result? A chaotic, creative RPG that celebrates everything fun about the franchise.

    Why it holds up: Unique mechanics, colorful visuals, and endless replay value make this one a modern classic with retro DNA.

    Fun Fact: What makes Fusions stand out is its deep customization system — you can fuse different characters to create completely new fighters, customize your looks, fighting type, special moves, and skills. It’s a dream come true for fans who ever wished to create their own warrior in the Dragon Ball universe.

    Final Thoughts

    From Buyuu Retsuden’s 16-bit punches to Advanced Adventure’s playful nostalgia, these games prove that Dragon Ball’s legacy in gaming is just as strong as its anime roots.

    Thanks for reading — it really means a lot. Which Dragon Ball game defined your childhood? Drop it in the comments — let’s talk classics.

  • The Galerians Series – Disturbing, Unique, and Forgotten

    The Galerians Series – Disturbing, Unique, and Forgotten

    Some games scare you with monsters. Others disturb you with atmosphere. But then there are games like the Galerians series — games that make you uncomfortable because of the ideas underneath.

    Spanning the original Galerians on PS1 (1999) and its direct sequel Galerians: Ash on PS2 (2002/2003), the series is a one-two punch of sci-fi horror, drug-fueled survival mechanics, and tragic storytelling. For me, these games remain some of the most unique — and frankly disturbing — experiences I’ve ever had in gaming.

    1999: Horror Boom on the PS1

    Galerians Ps1 cover art

    By the time Galerians released in 1999 (Japan) and 2000 (US/EU), the PlayStation was already knee-deep in a survival horror golden age.

    • Capcom had just dropped Resident Evil 2 (1998) and Nemesis (1999).
    • Konami unleashed Silent Hill (1999) — redefining psychological horror.
    • Square dabbled with cinematic horror-RPG hybrids like Parasite Eve II (1999).
    • Capcom even turned dinosaurs into horror with Dino Crisis (1999).

    Everyone wanted a slice of the horror pie.

    So where did Galerians fit? Developed by Polygon Magic and published in the West by Crave Entertainment, the game wasn’t coming from the heavyweights. Crave was mostly known for mid-tier and niche projects — sports titles, racing games, even quirky experiments. But in the late ’90s, even they leaned into the horror trend, picking up Galerians because it stood out: no guns, no zombies, just psychic powers fueled by dangerous drug use.

    While the big publishers were polishing cinematic experiences, Crave doubled down on something raw and unsettling. It wasn’t the mainstream choice, but it gave Galerians its cult edge.

    My First Steps Into Galerians

    Booting up Galerians for the first time was like waking up inside someone else’s nightmare. The screen fades in, and you’re just… there. A sterile hospital room, cold and empty, and you have no idea who you are or why you’re strapped into this world of machines.

    Then it happens: a girl’s voice inside your head.

    “Rion… help me… find me…”

    It’s faint, desperate, and unsettlingly personal. You don’t know her. You don’t even know yourself. But that voice becomes your compass, sparking your journey into the unknown. (Later, the game reveals this telepathic voice belongs to Lilia Pascalle, Rion’s childhood friend — but at the start, you only feel the mystery.)

    And what a brutal start it is. Within minutes, I was already dying — overdosing on my own psychic powers, burning myself out with attacks I didn’t fully understand. Galerians didn’t want you to feel strong. It wanted you to feel fragile, broken, like a failed experiment stumbling forward.

    Each scrap of the world you uncover — medical files, cryptic documents, and eerie computer logs — becomes your only guide. There are no quest arrows, no tutorials, just survival and that haunting voice urging you onward.

    Stages and Bosses

    What makes Galerians so distinct is how each stage feels like a test, both in difficulty and in theme:

    • Michelangelo Memorial Hospital – sterile halls filled with former caretakers turned threats, a twisted introduction to your fragile powers.
    • Rion’s House – once a place of safety, now twisted by confrontation with Birdman, one of Dorothy’s “children.”
    • Babylon Hotel – chaotic, stylish, and home to brutal encounters with Rainheart and Rita, psychic foes as unstable as you are.
    • Mushroom Tower – the final climb toward Dorothy, the cold, godlike AI that orchestrates your suffering.

    Each boss isn’t just an obstacle; they’re living embodiments of Dorothy’s experiments, mirrors of what Rion could become. The game’s final stage, drenched in sterile dread, leaves you exhausted both mechanically and emotionally — and that’s before the ending revelations about Rion’s true nature.

    Galerians: Rion (2002 CGI Movie)

    A couple years later, fans got something unexpected: Galerians: Rion, a full CGI movie.

    Think Final Fantasy: The Spirits Within style visuals — glossy, cinematic, and way ahead of its time for such a niche horror property. The movie retold the first game’s story but streamlined it, cutting much of the exploration and emphasizing flashy psychic battles instead.

    The most controversial change was the ending. Where the PS1 game gave us one of the bleakest conclusions in survival horror, the film rewrote it to keep Rion alive — clearly paving the way for Galerians: Ash. For newcomers, it was a more digestible, “cleaned-up” retelling, but for players like me, it lost some of the raw edge that made the original unforgettable.

    2002–2003: Horror Evolves on PS2

    By the time Galerians: Ash launched on PS2 (2002 in Japan, 2003 in the West), the genre had shifted. Survival horror wasn’t just popular — it was splitting into blockbusters vs. experiments.

    • Silent Hill 2 (2001) rewrote the rulebook for psychological horror.
    • Fatal Frame (2001) introduced ghost photography as combat.
    • Resident Evil Code: Veronica X (2001) and Resident Evil Zero (2002) kept Capcom’s dominance strong.
    • Clock Tower 3 (2002) and Siren (2003) tried bold, experimental AI-driven scares.

    Enter Sammy Studios, who published Ash outside Japan. Sammy, better known for arcade hits, was making a push into console publishing. Backing a cult sequel like Ash was a gamble — but one that kept Polygon Magic’s vision alive.

    In Ash, Rion returns to face Ash, Dorothy’s terrifying final “child.” The environments are bigger, the visuals cleaner, and combat more polished — but the mechanics of psychic dependency remain. If anything, the sequel leans harder into the disturbing edge of the original, at a time when most horror games were chasing cinematic prestige.

    Why the Galerians Series Faded

    Both Galerians and Ash were outsiders in their eras.

    • On PS1, Galerians got lost among juggernauts like Resident Evil and Silent Hill.
    • On PS2, Ash was overshadowed by games that redefined the genre’s future.

    But more importantly:

    • Drug dependency as gameplay – Brilliant but controversial.
    • Edgy, bleak storytelling – No power fantasy, just tragedy.
    • Cult status only – Without mainstream traction, the series couldn’t sustain sequels.

    That’s why, in my opinion, Galerians won’t ever get a revival. It’s too raw, too edgy, and too tied to mechanics modern publishers wouldn’t dare touch.

    Playing Galerians Today

    Even if the series is gone, I still revisit it. My Miyoo Mini makes replaying Galerians on the go super nostalgic, though to be honest, I prefer my RG28XX most of the time — the horizontal form factor just feels better for those tricky trigger-based psychic powers.

    As for Ash, it’s comfortably sitting on my tablet and phone, where I chip away at it in short bursts. With Halloween around the corner, it’s the perfect time to step back into that bleak, oppressive world.

    Final Thoughts

    Galerians may never return, but maybe that’s for the best. It burned bright in its moment, dared to go where few games would, and left behind something unforgettable. For me, replaying it now isn’t just nostalgia — it’s a reminder of when horror games weren’t afraid to disturb you, not just scare you.

    And honestly? In a genre packed with monsters and gore, I’ll take one tragic psychic teen overdosing his way through the apocalypse any day.

  • These Ultraman Games Are So Bad They’re Legendary

    These Ultraman Games Are So Bad They’re Legendary

    If you grew up watching Ultraman, you probably dreamed of controlling those giant laser-beaming, monster-smacking battles. And on the PS2 and PSP, you got that dream… kind of. What we actually got were games so rough, so clunky, so awkwardly hilarious that they loop right back around into being must-plays.

    Let’s break it down.

    Ultraman Fighting Evolution (PS2)

    The promise? Kaiju wrestling in glorious 3D. The reality? Imagine two cosplayers in rubber suits trying to fight in slow motion while the cameraman spins in circles.

    • Controls: Feels like Ultraman is fighting underwater while wearing concrete boots.
    • Hit detection: Sometimes your punch connects across the arena. Sometimes it passes through like you’re a ghost. Flip a coin.
    • Animations: Every throw and fall looks like a bad stunt double missed the crash mat.

    But here’s why I love it: it’s authentic. Ultraman fights were never about fluid martial arts — they were about stiff moves, awkward grapples, and laser beams that may or may not hit. Fighting Evolution accidentally nailed that “rubber suit charm,” and I can’t stop grinning every time someone topples over like a cardboard prop.

    Ultraman Fighting Evolution 3 (PS2)

    This one? The “polished” sequel. Big story mode, more kaiju, better graphics. And yet, the soul of jank remains.

    The cutscenes try so hard to be epic, but half the time I’m just laughing at Ultraman giving serious speeches while looking like a plastic action figure. The story mode is wild — one second you’re reliving iconic battles, the next you’re thrown into a monster mash with zero explanation.

    Why I love it: this game is basically Ultraman fanfiction in video game form. It throws everything at you — drama, explosions, endless monster cameos — and I eat it up every single time. It’s the “Fast & Furious” of Ultraman games.

    Ultraman Fighting Evolution Rebirth (PS2)

    Now this one is the big one. Ultraman Fighting Evolution Rebirth (ウルトラマン Fighting Evolution Rebirth) takes everything the earlier games tried to do and pushes it further.

    • Story mode: Packed with dramatic cutscenes that almost convince you you’re watching a real Ultraman episode… until the stiff animations snap you back.
    • Gameplay: Still janky, still clumsy, still hilarious. But with more kaiju, more moves, and more finishers that look straight out of the TV show.
    • Fan service: This is the game where the developers clearly wanted to give fans as much Ultraman content as possible, and it shows.

    The only drawback? The colors are more subdued compared to earlier titles. It’s like the devs wanted to take things more seriously — darker tones, moodier palettes, less camp. But the moment you start a fight and deal with the bipolar AI or swing and miss at point-blank range, you’re reminded that at the end of the day, it’s still the same campy Ultraman game at heart, just with the brightness turned down.

    Why I love it: out of all the PS2 Ultraman titles, Rebirth captures that “so bad it’s good” balance the best. It’s bigger, more ambitious, and somehow even funnier when it stumbles. Plus, the finished animations are much more cinematic — well, as cinematic as an Ultraman game could be. If you only play one PS2 Ultraman game, make it this one.

    Ultraman 0 Portable (PSP)

    The jump to handheld should’ve made things snappier, right? Nope. It’s the same awkward goodness, just shrunk down.

    • The graphics try their best, but Ultraman looks like he’s made of shiny Play-Doh.
    • The AI is unpredictable — sometimes it lets you win by standing still, other times it wipes the floor with you in seconds.
    • The camera fights you harder than the kaiju.

    Why I love it: because nothing beats blasting a kaiju with a Specium Ray while sitting on a bus. It’s Ultraman in your pocket, and even when it’s broken, it’s still Ultraman. Plus, the ridiculous difficulty spikes make every victory feel like I actually saved the world.

    Lost in Translation: The Language Barrier Boss

    Here’s another curveball: none of these Ultraman games ever got an English release. Yup — goodbye instructions, goodbye tutorials, goodbye menus. The game just throws you in, full Japanese text, and says “Good luck, hero!”

    Your best bet to figure out what the heck is going on?

    • Stumble through the tutorial until Ultraman randomly decides he’s finished teaching you.
    • Use Google Lens like it’s your trusty sidekick.
    • Or go old-school and dig through GameFAQs guides. (There’s a full guide for Ultraman Fighting Evolution Rebirth out there — lifesaver!)

    That’s literally how I survived the tutorial stage — trial, error, and a lot of squinting. And honestly? It made the whole thing even funnier.

    Why They’re So Bad They’re Great

    They make me laugh harder than half the comedy games I own.

    They’re basically playable blooper reels of the TV show.

    They remind me why I love Ultraman in the first place: not because it’s flawless, but because it’s earnest, campy, and fun even when it stumbles.

    EZRetro’s Totally Biased Ranking

    Fighting Evolution Rebirth (PS2) – The ultimate janky masterpiece.

    Fighting Evolution 3 (PS2) – Peak drama, peak Ultraman energy.

    Fighting Evolution (PS2) – The OG mess, broken but charming.

    Ultraman Portable (PSP) – Bless its heart. It tried.

    Why i come back to it

    When I’m killing time at work, Ultraman Portable on my trusty RG28XX is my go-to. It’s discreet, perfect for blasting kaiju without anyone noticing, and it keeps me awake while waiting for my shift to end. For the bigger screen though, I skip the weaker PS2 entries and dive straight into Fighting Evolution Rebirth. It’s the one that makes me laugh, rage, and cheer all in the same sitting.

    Ultraman has starred in dozens of games across consoles — from platformers on SNES and Game Boy to RPGs, tactical sims, and even Pokémon-style kaiju battles. But in my opinion, nothing beats the fighting games. They’re clunky, campy, and packed with that rubber-suit wrestling energy that makes Ultraman so lovable. If you’re curious about the series, start with the fighters — they’re messy, hilarious, and the most fun you’ll have with Ultraman in game form.

  • The EZRetro plays Handbook: 10 Games to Get You Hooked on the RG28XX

    The EZRetro plays Handbook: 10 Games to Get You Hooked on the RG28XX

    It’s been barely two weeks since I got my RG28XX, and I’ve been completely glued to it. Like a kid with a new toy, I’ve been switching between games non-stop, quickly learning what plays well and what doesn’t. As a JRPG/RPG fan, I naturally gravitate toward that genre. But let’s be real about the PSP emulation: it’s a bit of a hit-and-miss.

    The Allwinner H700 chipset is powerful for a budget device, but most PSP games are a bit laggy, and some are downright unplayable due to the missing analog stick. Plus, the screen’s resolution isn’t a perfect 16:9 match for the original PSP, so you have to scale and fit it to fill the screen, which is a no-no for purists.

    But for someone not too picky about screen size and is more focused on playing something on a small retro handheld, it’s perfect.

    Even with the quirks, limiting recommendations to just RPGs doesn’t do this little handheld justice. It’s given me the chance to play other games, and after two weeks of non-stop play, here’s my top 10 games to try.

    Prinny 2: Dawn of Operation Panties, Dood!

    psp box art

    I’ll be honest—I’ve never been great at platformers on PSP using my phone. The tiny screen, touch overlays, and lack of a proper controller made even basic levels frustrating. But on the RG28XX, everything changed. While the screen is a bit cramped and the buttons are small, I finally beat the first level and a saw Etna inside the castle. It felt like a real win.

    Gameplay-wise, Prinny 2 is a classic side-scrolling platformer, but Nippon Ichi Software adds its signature style. The animations are smooth, and the game’s humor is just absurd enough to keep you laughing even while dying repeatedly. You’ll really end up caring about the side characters and NPCs, dood!

    Fun Fact: Nippon Ichi’s dialogue is so ridiculous and over-the-top that even minor characters steal the spotlight. I’m not usually a fan of side-scrolling platformers, but Prinny 2 had me invested in the story and the laughs, and that’s what matters most.

    Kisou Ryuhei Gunhound

    Kisou Ryuhei Gunhound is a side-scrolling mecha shooter that had me glued from start to finish. You pilot your giant robot through futuristic stages filled with enemies and obstacles. The controls on the RG28XX are precise enough that even intense shooting sequences feel smooth.

    The story follows a world under siege, and while it’s not particularly deep, the excitement comes from blasting through waves of enemies and upgrading your mecha. For someone who enjoys mecha and action, this is a perfect handheld experience.

    Fun Fact: Despite its small screen, the RG28XX handles the visuals perfectly, making every boss fight feel as epic as it would on a console.

    ZHP: Unlosing Ranger vs. Darkdeath Evilman

    Unlosing Ranger psp box art

    ZHP is one of the quirkiest tactical RPGs I’ve ever played. You lead a colorful, bizarre team through strategic missions filled with absurd story beats and hilarious dialogues. On the RG28XX, it feels surprisingly comfortable, even during long grind sessions.

    The game’s humor is its standout feature, but don’t mistake it for a joke game—the strategy is real. Positioning your characters and timing your attacks can mean the difference between victory and defeat.

    Fun Fact: Some levels are so absurdly funny that you’ll spend more time laughing than strategizing, which is part of the charm. It’s a tactical RPG that doesn’t take itself too seriously.

    Ys vs. Sora no Kiseki

    This one is a little different from the others on my list. Ys vs. Sora no Kiseki is a fighting game that’s a total love letter to fans of both the Trails and Ys series. You get to play through each character’s unique story arc, and you can upgrade their equipment and customize them, which really makes you want to keep playing long after the main story is over. That ability to customize is what gives it some serious replay value.

    Fun Fact: A worldwide release is scheduled for October 10, 2025, on PS4, PS5, Switch, and PC with enhanced features, according to the publisher refint/games.

    TwinBee Portable

    TwinBee Portable is a vertical shooter with an aesthetic that’s so colorful it’s almost hypnotic. Controlling the ship is straightforward, making it easy to pick up on the RG28XX. The power-ups add a layer of strategy to the simple shooting mechanics, turning it into a deeper experience than it first appears. Since it’s a Japanese-only release, I’m just assuming the story is light and charming, but seriously, who needs a story when what hooked me to this game is the retro vibe and pure nostalgia? It’s the kind of game that’s easy to jump into for a quick session or a longer run.

    Fun Fact: TwinBee’s charm comes from its cheerful music and playful visuals—Konami really nailed that arcade vibe.

    Mega Man Powered Up

    megaman powered up psp cover

    Mega Man Powered Up is classic Mega Man with upgraded graphics and remade levels. It’s challenging but fair, and controlling the blue bomber on the RG28XX felt surprisingly natural. The satisfaction of finally defeating a tough boss never gets old.

    The story is minimal but fun, staying true to Mega Man’s roots as a robot hero battling evil. The level design is clever, and each stage has its own personality.

    Fun Fact: You can create and share your own levels, making it a mini creative outlet on the go.

    Yuusha 30 Seconds

    Yuusha 30 Seconds is a fast-paced mini-RPG where battles and decisions happen in short, exciting bursts. Perfect for handheld play, it keeps you on edge while still being strategic. The story follows a hero who must make quick choices to save their world, making every second count.

    The gameplay of Yuusha 30 Seconds is what truly makes it a standout. Back when it was released, the concept was totally unique, and it still feels incredibly fresh today. The core loop is simple: you have 30 seconds to save the world. This crazy-fast timer forces you to make quick, strategic decisions. Every second counts as you run to level up, buy equipment, and defeat the final boss. It’s a genius concept that turns the traditional RPG grind on its head and keeps every moment filled with high-stakes action.

    Fun Fact: Another title, Half-Minute Hero, was also released for western audiences on PSP. Although that’s a great game, I would still recommend hunting down an English translation patch for Yuusha 30 Seconds because the Japanese release is more challenging and has more content.

    Dissidia 012 Duodecim (RPG Mode)

    This one is a bit different. I play Dissidia 012 Duodecim in RPG Mode. There’s an option in the settings to switch from the usual action style to a more tactical RPG-style battle where you input attacks as the battle takes place.

    While I’ll be honest, I usually play this on PPSSPP on my phone since the touch controls and ability to set hotkeys make the game more fluid for me, the RG28XX still offers a great experience in RPG Mode. Even with the controls being a bit cramped and the absence of an analog stick, it’s a perfect fit for this little handheld.

    Fun Fact: Each character has a fully voiced story, and the massive cast includes heroes and villains from almost every major title in the series.

    Zenonia

    Zenonia is a classic hack-and-slash RPG that’s perfect for handheld sessions. You explore dungeons, fight enemies, and uncover a story of revenge and justice. The controls feel great on the RG28XX, making combat smooth and satisfying.

    The story is simple but effective, with multiple endings that encourage replayability. I love how easy it is to pick up and play without losing any of the RPG charm.

    Fun Fact: Zenonia was so popular that it eventually found its way to mobile devices, becoming one of the early success stories for JRPGs on the app store.

    Patapon 3

    Patapon 3 perfectly blends rhythm and strategy. You command a tiny Patapon tribe in battles that are essentially musical performances. The gameplay is simple, but timing your beats correctly feels incredibly satisfying.

    The story follows your tribe as they journey to conquer enemies and survive in a whimsical world. It’s easy to lose track of time because the rhythm-based gameplay is so addictive.

    Fun Fact: The unique rhythm-strategy gameplay of Patapon 3 has a rich history. The first game introduced the unique concept of commanding a tribe with drumbeats. Patapon 2 built on that with the introduction of hero units, new classes, and a multiplayer mode. Patapon 3 then evolved the formula even further with a persistent online focus, a more detailed leveling system, and an even deeper focus on the central hero character.

    Final Thoughts

    This list proves that the RG28XX can handle far more than just RPGs. From humor and platforming to epic storytelling and rhythm, this little handheld really delivers, and I can’t wait to see what other hidden gems I discover next.

  • Anbernic RG28XX Review – A Pocket-Sized PSP Machine?

    Anbernic RG28XX Review – A Pocket-Sized PSP Machine?

    Lately, I’ve been on the lookout for a small device to play JRPGs and RPGs on the go. Being a fan of the Miyoo Mini, I first decided to get the Miyoo A30 since the Miyoo Mini was the handheld that originally got me into retro handheld emulation. Sadly, I only had it for about a day. I was just getting used to the Spruce OS when I lost it on my way home from work.

    After that, I made a second purchase—the Miyoo Mini V4—and it became my only handheld for quite some time. I absolutely love this little device. It’s powerful enough to play up to PS1 games, and I’ve been having a blast playing in short bursts throughout the day. The only drawback for me was the lack of PSP emulation.

    Back in my young adult years, the Sony PSP defined a lot of my gaming moments. I loved it so much that I actually owned three of the four PSP models—the Phat, the PSP-2000, and the PSP-3000. Naturally, I wanted to relive those moments on a small retro handheld that fits perfectly in my pocket. These days, I don’t have much free time to play, so I needed something small, powerful enough to handle PSP, and affordable.

    That’s when the Anbernic RG28XX was recommended to me. Since it was also the only device available near me, I finally went ahead and made the purchase.

    Specs

    The Anbernic RG28XX is designed as a compact retro handheld that balances portability with enough power to emulate systems up to PSP. It runs on the Allwinner H700 chip with 1GB of RAM, and comes with a 2.83-inch IPS screen at 640×480 resolution. Storage is handled through dual microSD slots — one for the system and one for your games — making it easy to expand or swap your library.

    Battery life is rated around 5–6 hours, though this depends on what you’re playing.

    Screen & Firmware

    On paper, the RG28XX’s 2.83-inch IPS display is about the same size as the Miyoo Mini, and brightness is solid enough indoors while staying usable outdoors unless you’re in direct sunlight. Colors pop nicely, and RPG text is generally clear.

    But since I mainly use this for PSP emulation, the aspect ratio difference really stands out. PSP games were designed for 16:9, while the RG28XX screen is a square 4:3. That means you’ll either play with black bars on the top and bottom or stretch the image, which doesn’t look quite right. On top of that, because of the device’s horizontal form factor, text in PSP games feels a little smaller than it should. It’s subtle enough not to ruin the experience, but it nags at me every time I play.

    The stock firmware works fine but takes some getting used to. Coming from Onion OS on the Miyoo Mini, which was simple and intuitive, this felt a bit clunky at first. There are a lot of hotkeys to memorize, and I’m not the type who enjoys flipping through an instruction manual just to figure things out. After a week, I’m still adjusting, but once you learn the shortcuts it’s manageable.

    Controls

    When I first got the RG28XX in hand, I immediately noticed how small everything feels. The D-pad is a bit pointy for my taste, and the face buttons are tiny — I really wish they felt more like the Miyoo Mini’s, which are softer and more comfortable.

    The trigger buttons (L1/L2 & R1/R2) and the select/start buttons are also on the clicky side. They work fine, but they don’t feel as smooth as I’d like. After a week, I’m still not fully adjusted. There’s also a slight rattle inside the unit — not enough to break the experience, but noticeable if you shake it.

    Sound

    For a device this small, the sound is decent but not amazing. The bottom-facing speaker is fine for quiet rooms, but your palm can cover it up depending on how you hold the handheld. Volume is enough indoors, but outdoors or in noisy areas, headphones are a must.

    Thankfully, the headphone jack gives a much better experience. RPG soundtracks really come alive with headphones, pulling me back to the PSP days.

    Battery Life

    On paper, the RG28XX is rated for 5 to 6 hours of gameplay, especially with lighter systems like NES or PS1. PSP drains it faster.

    But since I don’t play in marathon sessions, my real-world use is different. I usually play in short bursts — maybe 20–30 minutes here and there — and with that, I can run it for about two days without charging. Charging via USB-C is quick and convenient, and since most of my devices already use USB-C, it’s hassle-free.

    Ergonomics

    The RG28XX absolutely wins in portability. It slips into my pocket and I don’t even feel it’s there until I need it. For quick sessions, it’s perfect.

    That said, because of the size, long play sessions can get uncomfortable. My hands cramp after a while, especially with the small buttons and stacked triggers. My unit came with a black silicone case, which adds grip and protection, but it makes the already small buttons feel even more cramped. I usually play without it for comfort.

    Emulation & PSP Performance

    The RG28XX can handle all the classics — NES, SNES, Game Boy, Mega Drive, PC Engine, and PS1 — with no issues at all.

    But I got this for PSP emulation, so that’s where I focused. For 2D RPGs and JRPGs, the device does well enough to be enjoyable. Some stutters appear in effect-heavy scenes, but with a little tweaking in PPSSPP, you can get most titles to run at playable speeds.

    I was able to play Final Fantasy Type-0 with some remapping. Since there’s no analog stick, you can toggle the D-pad to act as analog by quickly tapping the power button on the right. It takes some getting used to, but it works. Save states and the PSP menu work just like they do on mobile PPSSPP, which I love.

    Not all games run smoothly though. My favorite, Tactics Ogre: One Vision, slows down during dialogue scenes, and I’m still experimenting with settings to smooth it out. Turn-based games are generally playable, but heavier 3D titles will definitely push the limits.

    Pros & Cons

    Pros

    • Pocket-sized and ultra-lightweight
    • Bright 2.83-inch IPS screen
    • Handles retro systems up to PS1 smoothly
    • PSP emulation is playable with tweaks
    • Save states via PPSSPP
    • Solid build quality for the price
    • Comes with a silicone case for protection

    Cons

    • Cramped controls; small, pointy D-pad and tiny face buttons
    • Triggers and select/start buttons are too clicky
    • No analog stick — remapping required for many PSP games
    • Occasional rattling inside
    • PSP performance is hit or miss, with stutters in some titles
    • Long sessions can cause hand cramps

    Final Thoughts

    After a week with the RG28XX, I can say this: it’s a fun little handheld. If what you want is something super portable, pocket-friendly, and affordable, it gets the job done. It lets me carry PSP and retro classics in my pocket, and that alone makes it worth it for me.

    But it’s not perfect. The 4:3 screen doesn’t play nice with PSP’s native 16:9 aspect ratio, which means black bars or stretched visuals. The text also feels smaller than it should, especially compared to the Miyoo Mini, and I notice it every time. Controls are also cramped and take time to get used to.

    If you’re serious about PSP emulation and want a more authentic experience with analog sticks, widescreen support, and stronger performance, then honestly something like the Retroid Pocket 4 is the better option. It’s bigger, sharper, and more comfortable for longer play sessions.

    But if your priority is a tiny handheld that slips into your pocket and still lets you enjoy your favorite RPGs and PSP titles on the go, the RG28XX absolutely delivers on that promise. For me, that balance makes it a keeper.

  • Rediscovering Mickey Mania – A Disney Classic Worth Playing Again

    Rediscovering Mickey Mania – A Disney Classic Worth Playing Again

    Mickey Mania SNES box art

    Back in the 8, 16, and 32-bit days, licensed games were everywhere. Some were just cheap cash grabs, but every now and then you’d hit a gem — games like Darkwing Duck, Chip ’n Dale Rescue Rangers, DuckTales, Tiny Toon Adventures, even The Goonies. They captured that Saturday morning cartoon magic and put it in your hands.

    One I almost forgot about until recently was Mickey Mania. I played it back in the day on the Sega Genesis, but over the weekend while scrolling through my Miyoo Mini’s PS1 library, I stumbled on Mickey’s Wild Adventure — the upgraded remake. And wow, firing it up again reminded me why this one deserves more love.

    A Quick History

    Fun Fact: The PS1 remake added new animations and audio polish.

    The original Mickey Mania: The Timeless Adventures of Mickey Mouse dropped in 1994 across Genesis, SNES, and Sega CD. It was built to celebrate Mickey’s 65th anniversary, which meant Traveller’s Tales really pulled out all the stops to make it feel like a playable piece of Disney history. Sony Imagesoft published it, but Disney themselves had a big hand in keeping it authentic.

    When the PS1 rolled around, Traveller’s Tales revisited the game in 1996 with Mickey’s Wild Adventure. This wasn’t just a straight port — they reworked the visuals, added extra animation frames, cleaned up the audio, and gave it more polish. Even today, it holds up shockingly well.

    Gameplay

    Fun Fact: Programmer Jon Burton later created the LEGO games.

    This is where Mickey’s Wild Adventure really shines. The game feels alive, like you’re actually inside one of Mickey’s cartoons. Take something simple: when you move Mickey near a ledge, he doesn’t just stop — he wobbles, arms flailing, in perfect Disney slapstick fashion. It’s the kind of detail that makes you smile every single time.

    Fun Fact: Steamboat Willie shifts from black-and-white to color.

    Then there’s the Steamboat Willie stage. On PS1, it starts in pure black-and-white, mimicking the original 1928 short. As you progress, the world slowly fills with color until the screen bursts into full animation. That moment alone makes the game feel like a celebration of Mickey’s journey through time.

    Gameplay

    Fun Fact: The PS1 version tightened up movement and jumps.

    This is where Mickey’s Wild Adventure really shines. The game feels alive, like you’re actually inside one of Mickey’s cartoons. Take something simple: when you move Mickey near a ledge, he doesn’t just stop — he wobbles, arms flailing, in perfect Disney slapstick fashion. It’s the kind of detail that makes you smile every single time.

    Then there’s the Steamboat Willie stage. On PS1, it starts in pure black-and-white, mimicking the original 1928 short. As you progress, the world slowly fills with color until the screen bursts into full animation. That moment alone makes the game feel like a celebration of Mickey’s journey through time.

    Controls

    Controls are simple but snappy: you can jump, butt-bounce enemies, and throw marbles as your main attack. The PS1 version tightened everything up compared to the Genesis original, making movements feel smooth without losing that bit of challenge. Platforming is responsive, and when you take a hit, it’s usually on you, not the game.

    Stages Inspired by Cartoons

    What really makes this game special is how every level is built around a Mickey cartoon, each one with its own flavor. It’s like walking through his filmography with a controller.

    Steamboat Willie (1928)

    Fun Fact: The PS1 version brings Mickey’s first short to life in full color.

    Starting black-and-white before shifting into color feels magical, like you’re watching Mickey’s evolution in real time. It’s both nostalgic and clever.

    The Mad Doctor (1933)

    Fun Fact: This cartoon was once considered too scary for kids.

    A darker level, with skeletons that literally fall apart and rebuild themselves. Creepy, funny, and very “30s Disney.”

    Moose Hunters (1937)

    Fun Fact: This level used an early “fake 3D” chase effect.

    Easily one of my favorite moments. Instead of just side-scrolling, the perspective flips. You’re running toward the screen while a massive moose charges right behind you. It’s tense, fast, and a great showcase of Traveller’s Tales experimenting with camera angles before “2.5D” was even a thing.

    Lonesome Ghosts (1937)

    Fun Fact: This short later inspired Ghostbusters.

    A haunted house filled with playful, prank-loving ghosts. If the cartoon feels like a proto-Ghostbusters, the stage plays the same way — comical scares with Mickey getting knocked around.

    Mickey and the Beanstalk (1947)

    Fun Fact: Oversized fruit and props make Mickey feel tiny.

    Oversized fruit and tall vines make Mickey look small against the world around him. It really nails the fairy tale vibe, with backgrounds that feel like a storybook come to life.

    Prince and the Pauper (1990)

    Fun Fact: This was Mickey’s “modern” short before the remake.

    This later-era cartoon sets the stage for the grand finale. A full castle run with more hazards and tighter platforming, it ties the old shorts with Mickey’s then-modern identity.

    Traveller’s Tales had actually considered a sequel (Mickey Mania 2), but with new opportunities like Toy Story, they moved on.

    Final Thoughts

    With thousands of retro games available across handhelds and emulators, it’s easy for a title like Mickey Mania to get lost in the shuffle. But don’t sleep on it. This isn’t just another Disney game — it’s literally Mickey’s history, animated and interactive.

    In my opinion, the PS1 remake, Mickey’s Wild Adventure, is the definitive way to play. The enhanced animations, audio, and that magical Steamboat Willie transition make it the version to hunt down.

    And if you’re going handheld, the Miyoo Mini Plus is the better pick. The animations are gorgeous and deserve a larger screen — the smaller Mini just doesn’t do it justice.

    So if you’re looking for something that blends nostalgia with genuine quality, give Mickey’s Wild Adventure a spin. It’s proof that not all licensed games were throwaways — some, like this one, became timeless classics.

  • Gunhound – My Go-To PSP Mecha Game for Short Bursts

    Gunhound – My Go-To PSP Mecha Game for Short Bursts

    When I need a quick break in between tasks, Gunhound on PSP is the game I usually go to. It’s fast, it’s exciting, and it scratches that itch for a mecha action experience without needing hours of commitment. It’s not available on smaller retro handhelds like the Miyoo Mini since those can’t run PSP games, but if you’ve got a Miyoo Mini Plus, Flip, or any other handheld that supports PSP, it plays beautifully.

    I actually just picked up the Anbernic RG28XX recently. I was looking for the Miyoo A30 but couldn’t find one locally, so this became my alternative. Luckily, it runs PSP titles smoothly, and Gunhound feels right at home on it.

    A Bit of History

    Gunhound EX (full title: Kisou Ryouhei Gunhound EX) came out in Japan back in 2013 for the PSP. It was developed by a small Osaka-based team called Dracue Software, a doujin (indie) studio known for loving mecha games. Later on, the game got a Windows PC port in 2014 with the title Armored Hunter Gunhound EX.

    The reception was decent, especially from fans of old-school mecha shooters like Assault Suit Valken (Cybernator) and Assault Suit Leynos. Famitsu gave the PSP version a 29 out of 40, and Western reviews of the PC port hovered around 7 to 8 out of 10. Reviewers praised the fast-paced action and anime-style presentation, though some said it felt like the ideas could’ve gone even further.

    As for sales, there’s no reliable number out there — it was a niche release, after all, and never really broke into the mainstream. That’s also one of the reasons it isn’t famous: it was a Japan-only release on PSP, with no official English localization. But honestly, who needs a full translation when your main job is to pilot a mech and fire at anything that moves?

    Dracue didn’t become a big studio after this either. Gunhound EX remains their standout game — more of a cult classic than a widely recognized PSP hit.

    The Story

    The game’s setup is straight out of a 90s mecha anime. You pilot a heavy combat machine through different missions, fighting waves of enemies, giant bosses, and military hardware that just keeps coming. The story isn’t super detailed, but it’s enough to push you forward between battles and cutscenes. The real fun is in the action, not reading walls of text.

    Game Mechanics

    The mix of mechanics makes Gunhound really stand out. You get machine guns, missiles, and one of the coolest parts — a grappling hook. It’s not just for climbing but also for swinging and repositioning during fights. That little touch changes how you approach stages, giving it a different flavor compared to standard run-and-gun games.

    The game captures that heavy mech feeling while still staying responsive. You’re not zipping around like a ninja; you’re piloting a powerful machine that has weight to it, and learning that rhythm is half the fun.

    Controls

    The controls feel surprisingly smooth for a PSP mecha game. Swapping weapons, firing, and using the grappling hook all click into place once you’ve played a couple of missions. On handhelds with good buttons and a d-pad, like the RG28XX or Miyoo Mini Plus, the game plays almost like it was built for these smaller devices.

    Why It Fits on a Small Retro Handheld

    This is where Gunhound really shines for me. The missions are short enough to pick up and play in between tasks, and the anime-inspired visuals scale perfectly to smaller screens. The intensity is still there, but it feels tighter and more personal when played on a handheld. For a game that’s all about quick bursts of action, portable is the way to go.

    Every time I load this up, it gives me that mix of anime mecha excitement and arcade-style quick action. It doesn’t need hours of play, and the grappling hook always makes the combat feel fresh. I’ll tell myself “just one mission,” and then end up playing two or three because it’s so hard to put down once you’re in the zone.

    Final Thoughts

    Gunhound EX may not be a mainstream PSP classic, but it’s one of those hidden gems that deserves more attention. Between its anime-inspired mecha action, simple pick-up-and-play missions, and perfect fit for retro handhelds, it’s a game I recommend to anyone looking for something different on PSP. The lack of an English release probably held it back, but if you enjoy action that doesn’t waste your time, you’ll feel right at home with Gunhound.

Design a site like this with WordPress.com
Get started